"Bea & Ben" in concert at @Barrington Stage Company. It's New Year's Eve, 1919. "Fill The Pages" is a scene where we meet characters all involved in writing news, fashion and wit. Much like Dorothy Parker and the Algonquin Round Table. Thankful to these amazing performers at the Musical Theatre Conservatory Thanks to Seth Roseman for directing, Adam Pelty, director of the MTC program, Steven Moore, video, Wes Halloran, audio.

"Bea & Ben" a new musical in concert at Barrington Stage Company. Thankful to these amazing performers at the Musical Theatre Conservatory. It's New Year's Eve, 1919, "I'm So Glad You Came" is a scene where we meet Bea and Ben, separated by war, are now thrust back together. Thanks to Seth Roseman for directing, Adam Pelty, director of the MTC program, Steven Moore, video, Wes Halloran, audio.

"Bea & Ben" in concert at Barrington Stage Company. Thankful to these amazing performers at the Musical Theatre Conservatory. It's New Year's Eve, 1919, "There's Nobody Like Him/Her" is a scene where we meet George and Lily having just witnessed a battle of wits betwen Bea and Ben, and they find they have something in common. Thanks to Seth Roseman for directing, Adam Pelty, director of the MTC program, Steven Moore, video, Wes Halloran, audio.

"Bea & Ben" in concert a Barrington Stage Company. Thankful to these amazing performers at the Musical Theatre Conservatory. It's New Year's Eve, 1919, "In the Meantime" is a song written in the style of war-time love songs prevelant in the 1910's. Thanks to Seth Roseman for directing, Adam Pelty, director of the MTC program, Steven Moore, video, Wes Halloran, audio.

"Bea & Ben" in concert at Barrington Stage Company. Thankful to these amazing performers at the Musical Theatre Conservatory. It's New Year's Eve, 1919, "A Husband For Me" is a song where our leading lady, Bea is confronted with the idea of finding herself a husband. Thanks to Sam Paley for singing this song beautifully, Seth Roseman for directing, Adam Pelty, director of the MTC program, Steven Moore, video, Wes Halloran, audio.

"Bea & Ben" in concert at Barrington Stage Company Thankful to these amazing performers at the Musical Theatre Conservatory. It's New Year's Eve, 1919, "Ben's Song" follows a moment for our leading man, Ben, who is confronted will the memories of his past during the Great War, and how it relates to his present. Thanks to Eli Goykhman for his incredbile singing, Seth Roseman for directing, Adam Pelty, director of the MTC program, Steven Moore, video, Wes Halloran, audio.

"Bea & Ben" in concert at Barrington Stage Company, Thankful to these amazing performers at the Musical Theatre Conservatory. It's New Year's Eve, 1919, and the countdown to midnight is about to begin. "I'm Having a Marvelous Time," is the end of Act One, where through misunderstandings, stolen items and emotions running high, everyone is at odds, excpet for our hostess, Margaret, who is determined to have a marvelous time. Thanks to Seth Roseman for directing, Adam Pelty, director of the MTC program, Steven Moore, video, Wes Halloran, audio

"Bea & Ben" in concert at Barrington Stage Company. Thankful to these amazing performers at the Musical Theatre Conservatory. It's New Year's Day, 1920, "What They Don't Know" is a song where Freddy ruminates on his past, and the wrong things he did for the right reasons, all for the sake of his family. Thanks to Seth Roseman for directing, Adam Pelty, director of the MTC program, Steven Moore, video, Wes Halloran, audio

"Bea & Ben" in concert at Barrington Stage Company. Thankful to these amazing performers at the Musical Theatre Conservatory. It's New Year's Day, 1920, "Every Now And Then," is a patische song for Imogene, the chorine, who shares some of her experiences, and how she always finds her way, every now and then. Thanks to Seth Roseman for directing, Adam Pelty, director of the MTC program, Steven Moore, video, Wes Halloran, audio

"Bea & Ben" in concert at Barrington Stage Company. Thankful to these amazing performers at the Musical Theatre Conservatory. It's New Year's Day 1920, "The Right Time," is where Bea ruminates on what it means to have free speech, and when is the right time to speak up? Thanks to Seth Roseman for directing, Adam Pelty, director of the MTC program, Steven Moore, video, Wes Halloran, audio

"Bea & Ben" in concert at Barrington Stage Company. Thankful to these amazing performers at the Musical Theatre Conservatory New Year's Eve, 1919, "What Do I Care," is where we discover Lily has been ghost writing for Bea, and George is more the hero than Ben. Both have kept this a secret, and now it comes out. Thanks to Seth Roseman for directing, Adam Pelty, director of the MTC program, Steven Moore, video, Wes Halloran, audio

"Bea & Ben" in concert at Barrington Stage Company. Thankful to these amazing performers at the Musical Theatre Conservatory New Year's Day, 1920, "I Realize," is a moment of self-discovery for our leading couple, Bea and Ben. Thanks to Seth Roseman for directing, Adam Pelty, director of the MTC program, Steven Moore, video, Wes Halloran, audio

"Bea & Ben" in concert at Barrington Stage Company. Thankful to these amazing performers at the Musical Theatre Conservatory. It’s New Year's Day, 1920, "Sigh No More" is a song set with the original Shakespeare text, between two close friends reconcliing their differences. Thanks to Seth Roseman for directing, Adam Pelty, director of the MTC program, Steven Moore, video, Wes Halloran, audio

"Bea & Ben" in concert at Barrington Stage Company. Thankful to these amazing performers at the Musical Theatre Conservatory New Year's Day, 1920, "Fill The Pages (Reprise)" is the moment where Margaret, mother to Bea, delivers some much needed advice on how to move forward in life. Thanks to Seth Roseman for directing, Adam Pelty, director of the MTC program, Steven Moore, video, Wes Halloran, audio